Giorgia Partesotti was born in Padua, Italy in 1980.

Education
2014-2018• PhD’s candidate in fines Arts, production and reserch, Spain.
2012-2013• M.A. in Visual and Multimedia Arts, Polytechnic University of Valencia.
2010-2011• Degree in Films Directions, City of the Light, Alicante, Spain.
2006• Fine Arts Degree in Painting, Venice Academy, Italy.

Education abroad                                                                                                                         2017• Mexico City, Mexico. Interchange Universitys phd’s programme: teaching Art and Performance for 3 months at the Universidad Nacional Autonoma de Mexico, Bellas Artes.
2016• Brussels, Belgium, Erasmus placemant grant to Poissonerie, art and refugees’ association. Organizing Arts events and residences.
2014• Bogota, Colombia, Centro de Memoria y Paz. Invited to attend Performance Arts Conferences.
2011• S. Petersburg, Russian Confederation. Winner of the grant for City of the Light, invited to direct a short film between Universities.
2010• Los Angeles, U.C.L.A. Art stage.
2007• S. Miguel de Tucuman, Argentina. Interchange at Fine Arts Academy.
2005• Erasmus placement grant from Venice (Italy) to Valencia (Spain)

Main Seminars                                                                                                                              

2017• Course ‘Cultura Visual y Genero: practicas colectivas’ MUAC (Museo Universitario de Arte Contemporánea, Mexico City). Course organaized by Rian Lozano (PHD Professor at the Aesthetic Research Institute, UNAM).
2015• Training course for critical teacher: how to teach Art with new and different pedagogies ‘Vibrar: el cuerpo como instrumento pedagógico’. FUHEM, Matadero, Madrid.

• Workshop held by the Art Curator Margarita Aizpuro ‘Videoarte: evolución tendencias mestizajes y derivas’ FIART, Madrid.
2014• Workshop held by Giulia Palladini, University of Erfurt, Germany: ‘Wich value of Utility has the Performance??’ Organized by EXPERIMENTA SUR, Colombia.
2014• Workshop held by Martin Kaltenbrunner, about the Rectable: interaction between Music and technology.
2007• Workshops held by diverse artists such as: ConiglioViola, VladimirLuxuria,AneLane, EytanFox for the project ‘Queer to Queer’ A+A gallery branch of the Venice Biennal, section ‘Young Artists’.
2006• Seminar held by Carolee Schnemann the CENDEAC of Murcia, Spain.
2005• Seminar held by the Artist Marina Abramovich at CENDEAC of Murcia, Spain.

Publications
2014• ‘INTERFERENCE: the DNA of power’, ISBN978-84-9048-059-5.
Short video about the theme: https://vimeo.com/66797229

2013•‘Digitals strategies to realize Actions’ POSTER presented at the Congress ‘the Art we need: the Artistic Reserch in Crisis’ times’. Valencia, Spain.
http://congresoncionaldeinvestigadoresenarte.blogspot.com.es/p/comunicados_19.html

2010•‘Video-performance of the feminine gender: new strategies to Perform’ presented to the Convention ‘Women, Art and technology’, organized by the Department of Sculpture’s researches of the Polytechnic University of Valencia. http://www.mujerarteytecnologia.upv.es

Statment                                                                                                                                            

My work expresses itself through Performance Art, where the artist’s and bystander’s bodys flow together in a practice that wants to reflect the social problems of their community, such as the difference between cultures and religions.                                

Troughout my latest projects I use technology as an instrument that can reach and be seen by more public. I use audio-visual and streaming tools to share my performances with the world: sometimes online, in real-time.